Enter Title Here by Rahul Kanakia
My rating: 3 of 5 stars
Enter Title Here is, in some ways, the Very Bad Things for the modern competitive teen set. Right out the gate, we know that our protagonist, Reshma, is going to manipulate her way to whatever it is she wants, whether it be a book deal or valedictorian or the college of her dreams, and we get to follow her machinations along the way.
This works in some sense because it's a real page turner in how it handles the situation and where things end up next. But it's so ridiculous and unrealistic and over the top that the fun in it is almost gone partways through, which means we instead have to slog our way to an ending that is both predictable and frustrating.
I like seeing YA books with terrible people being written and presented, and I hope we see more of them. As for this one, though, it's just not quite hitting the mark enough to be a true recommendation. A solid effort, and I'll be looking for more from this author, but this didn't do what I hoped.
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A blog mostly about books, but often about movies, music, television, sometimes religion, and yes, occasionally, breakfast.
31 July 2016
Review: Event Factory
Event Factory by Renee Gladman
My rating: 4 of 5 stars
To start off, this is a weird book. Not "weird," not Weird, but weird and different. It's a pseudo-traditional narrative about a woman in a city that is utterly foreign, not only in language and culture but seemingly in all aspects. There is an exodus of sorts happening, but there's really just a lot happening that is strange and weird and unsettling but still compelling throughout, and the experience of the book is the exploration and immersion into this place and society.
A lot of the talk about the architecture and such gives it a bit of Lovecraftian flavor, but the idea behind it, at least on my reading, seems to be more about the experience of being in such an oddly foreign place. There seems to be a lack of fear that comes about (especially in one strange aside of a scene), but also a sense of longing and a sense of attraction to this place that isn't fully explored (but may be in the sequels).
This is a book that's ultimately a hard nut to crack, but I've started to come to expect that from the Dorothy Project books at this point. Still, I bumped the sequels up on my shelf and I'm really looking forward to exploring this setting further.
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My rating: 4 of 5 stars
To start off, this is a weird book. Not "weird," not Weird, but weird and different. It's a pseudo-traditional narrative about a woman in a city that is utterly foreign, not only in language and culture but seemingly in all aspects. There is an exodus of sorts happening, but there's really just a lot happening that is strange and weird and unsettling but still compelling throughout, and the experience of the book is the exploration and immersion into this place and society.
A lot of the talk about the architecture and such gives it a bit of Lovecraftian flavor, but the idea behind it, at least on my reading, seems to be more about the experience of being in such an oddly foreign place. There seems to be a lack of fear that comes about (especially in one strange aside of a scene), but also a sense of longing and a sense of attraction to this place that isn't fully explored (but may be in the sequels).
This is a book that's ultimately a hard nut to crack, but I've started to come to expect that from the Dorothy Project books at this point. Still, I bumped the sequels up on my shelf and I'm really looking forward to exploring this setting further.
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30 July 2016
Review: Lady Killer
Lady Killer by Joƫlle Jones
My rating: 3 of 5 stars
This was fine.
I loved the conceit behind this the moment I heard it, being a 1950s-era housewife who is a hitman on the side. Just a great idea, and the artwork is evocative of old ads and everything about it is a great idea.
The problem is that the story itself kind of falls apart midway through, where the distrust inherent in hitman organizations rises and our heroine (for lack of a better term) is balancing her home life with her work life and no one knows who to trust. The complexity is there, but it's just not handled well enough to remain completely compelling.
I wouldn't not recommend this, as there's a lot to like and the aesthetic is fun. It just doesn't do enough of what it's attempting well enough to be a top-tier graphic tale. I'll seek out the next volume when it turns up, but, overall, you might just feel like this is lacking that special something.
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My rating: 3 of 5 stars
This was fine.
I loved the conceit behind this the moment I heard it, being a 1950s-era housewife who is a hitman on the side. Just a great idea, and the artwork is evocative of old ads and everything about it is a great idea.
The problem is that the story itself kind of falls apart midway through, where the distrust inherent in hitman organizations rises and our heroine (for lack of a better term) is balancing her home life with her work life and no one knows who to trust. The complexity is there, but it's just not handled well enough to remain completely compelling.
I wouldn't not recommend this, as there's a lot to like and the aesthetic is fun. It just doesn't do enough of what it's attempting well enough to be a top-tier graphic tale. I'll seek out the next volume when it turns up, but, overall, you might just feel like this is lacking that special something.
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29 July 2016
Review: Dark Matter
Dark Matter by Blake Crouch
My rating: 4 of 5 stars
Blake Crouch is getting the overdue success he deserves with how popular Wayward Pines ended up. While one can complain about his plotting or writing style, he's probably best at coming up with unique and different takes on a long-standing genre. In Dark Matter, he's approaching the multiverse with a great story and a little bit of sadism.
The story is about one man, kidnapped and drugged and seemingly left for dead. He comes to in a hospital, and is quickly informed as to why things are not as they seem, but has a way out. But the resources are finite and the avenues are a little strange as he jumps from new universe to new universe in an attempt to find his way back home.
I think this is well-trod territory, and the combination of action and the way the different universes are presented is unique in its own way. There's a good amount of action, and the characters are good enough where you definitely feel invested in the outcome. I could quibble about some of the choices, perhaps with how the universes are put forward, but the climax is so weird and wonderful as to forgive any faults that are there. I really loved how it finished up, and that means this is an enjoyable, sometimes pulpy read.
Definitely recommended.
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My rating: 4 of 5 stars
Blake Crouch is getting the overdue success he deserves with how popular Wayward Pines ended up. While one can complain about his plotting or writing style, he's probably best at coming up with unique and different takes on a long-standing genre. In Dark Matter, he's approaching the multiverse with a great story and a little bit of sadism.
The story is about one man, kidnapped and drugged and seemingly left for dead. He comes to in a hospital, and is quickly informed as to why things are not as they seem, but has a way out. But the resources are finite and the avenues are a little strange as he jumps from new universe to new universe in an attempt to find his way back home.
I think this is well-trod territory, and the combination of action and the way the different universes are presented is unique in its own way. There's a good amount of action, and the characters are good enough where you definitely feel invested in the outcome. I could quibble about some of the choices, perhaps with how the universes are put forward, but the climax is so weird and wonderful as to forgive any faults that are there. I really loved how it finished up, and that means this is an enjoyable, sometimes pulpy read.
Definitely recommended.
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25 July 2016
Review: Not That Kind of Girl: A Young Woman Tells You What She's "Learned"
Not That Kind of Girl: A Young Woman Tells You What She's "Learned" by Lena Dunham
My rating: 3 of 5 stars
There's a bit on an episode of Family Guy where Peter Griffin, the father, confesses that he doesn't like The Godfather. His reasoning? "It insists upon itself."
Thus my feeling on Not That Kind of Girl.
I come into this liking Lena Dunham's work on a whole. She's perhaps a little too arsty and big-I-Important for a lot of tastes (mine included), but Girls is great and Tiny Furniture was great, so why not?
The problem is that this is really just in Dunham's voice throughout, and there are just a lot of really frustrating things about her and her personality that ring throughout. If you find Dunham insufferable, you'll want to shake her when she talks about college boyfriends or summer camp. If you find her charming, her stories from childhood will be inspiring and fun. Those who pick up this book already have an opinion on Dunham, and it's just going to transfer onto the writing, for better or for worse.
With the controversy surrounding this book (in context, it's not nearly as bad as it's portrayed regarding her sister), it's hard to simply read it, so kind of take everything in stride. Honestly, unless you're really into Dunham both as an artist and a person, this isn't something you'll enjoy. I found it to be what it was, but I don't think I feel great about picking it up, either.
Closer to a 2.5.
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My rating: 3 of 5 stars
There's a bit on an episode of Family Guy where Peter Griffin, the father, confesses that he doesn't like The Godfather. His reasoning? "It insists upon itself."
Thus my feeling on Not That Kind of Girl.
I come into this liking Lena Dunham's work on a whole. She's perhaps a little too arsty and big-I-Important for a lot of tastes (mine included), but Girls is great and Tiny Furniture was great, so why not?
The problem is that this is really just in Dunham's voice throughout, and there are just a lot of really frustrating things about her and her personality that ring throughout. If you find Dunham insufferable, you'll want to shake her when she talks about college boyfriends or summer camp. If you find her charming, her stories from childhood will be inspiring and fun. Those who pick up this book already have an opinion on Dunham, and it's just going to transfer onto the writing, for better or for worse.
With the controversy surrounding this book (in context, it's not nearly as bad as it's portrayed regarding her sister), it's hard to simply read it, so kind of take everything in stride. Honestly, unless you're really into Dunham both as an artist and a person, this isn't something you'll enjoy. I found it to be what it was, but I don't think I feel great about picking it up, either.
Closer to a 2.5.
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22 July 2016
Review: Black Magick, Volume 1: Awakening, Part One
Black Magick, Volume 1: Awakening, Part One by Greg Rucka
My rating: 5 of 5 stars
It's a shame Rucka is embroiled in a bit of a controversy regarding Wonder Woman at the time I write this, because it might cause people to overlook what was a really fun, really brilliant start to a comic series.
In Black Magick, witches are real, and one of them, Rowan, is a detective. She's called into a hostage situation where the perpetrator asks for her specifically, and things go haywire. Rowan has to balance out the issues she's facing in the mundane world in this case along with a more supernatural situation unfolding around her.
The art feels modern while suggesting a more noirish bent, which works wonders in this case. The result is a read that kept me riveted almost from the moment I opened the book, and the possibilities of where this could end up are just wide open. It's a great reminder as to why Greg Rucka is so good at what he does regardless of any drama surrounding him, and it's a series I can't wait to dive back into. Absolutely essential.
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My rating: 5 of 5 stars
It's a shame Rucka is embroiled in a bit of a controversy regarding Wonder Woman at the time I write this, because it might cause people to overlook what was a really fun, really brilliant start to a comic series.
In Black Magick, witches are real, and one of them, Rowan, is a detective. She's called into a hostage situation where the perpetrator asks for her specifically, and things go haywire. Rowan has to balance out the issues she's facing in the mundane world in this case along with a more supernatural situation unfolding around her.
The art feels modern while suggesting a more noirish bent, which works wonders in this case. The result is a read that kept me riveted almost from the moment I opened the book, and the possibilities of where this could end up are just wide open. It's a great reminder as to why Greg Rucka is so good at what he does regardless of any drama surrounding him, and it's a series I can't wait to dive back into. Absolutely essential.
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18 July 2016
Review: Carter & Lovecraft
Carter & Lovecraft by Jonathan L. Howard
My rating: 4 of 5 stars
Closer to a 3.5.
There's a lot of fanservice in this book, and that's not a bad thing considering that the Cthulhu Mythos is really fanservice in and of itself. Carter and Lovecraft absolutely embraces that, though, and it mostly works throughout.
Carter is a detective-turned-private investigator following the solving of a rather grisly serial killer case involving kids and the suicide of his partner. He ends up in Providence as the sole inheritor of an estate that includes a bookstore run by a woman who is the direct descendant of HP Lovecraft. Not long after his arrival, though, some strange murders occur and they seem to be circling around him.
There are plenty of little Mythos Easter eggs hidden throughout, some more obvious than others, and the pacing of the story helps that a bit. It has a lot of mystery elements which are a little disjointed (especially considering how important they are to the plot), and the characterizations feel a little thin, but the payoff is awesome and sets up nicely for future volumes.
Overall? Good candy for Lovecraft fans and supernatural mystery readers alike. More than enough fun to go around.
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My rating: 4 of 5 stars
Closer to a 3.5.
There's a lot of fanservice in this book, and that's not a bad thing considering that the Cthulhu Mythos is really fanservice in and of itself. Carter and Lovecraft absolutely embraces that, though, and it mostly works throughout.
Carter is a detective-turned-private investigator following the solving of a rather grisly serial killer case involving kids and the suicide of his partner. He ends up in Providence as the sole inheritor of an estate that includes a bookstore run by a woman who is the direct descendant of HP Lovecraft. Not long after his arrival, though, some strange murders occur and they seem to be circling around him.
There are plenty of little Mythos Easter eggs hidden throughout, some more obvious than others, and the pacing of the story helps that a bit. It has a lot of mystery elements which are a little disjointed (especially considering how important they are to the plot), and the characterizations feel a little thin, but the payoff is awesome and sets up nicely for future volumes.
Overall? Good candy for Lovecraft fans and supernatural mystery readers alike. More than enough fun to go around.
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16 July 2016
Review: Project Beta: The Story of Paul Bennewitz, National Security, and the Creation of a Modern UFO Myth
Project Beta: The Story of Paul Bennewitz, National Security, and the Creation of a Modern UFO Myth by Greg Bishop
My rating: 3 of 5 stars
Closer to a 3.5.
I forget what the conversation was that turned me onto this book, but considering the constant enjoyment I get from UFOs and first contact stuff as well a weird government conspiracies, this book is a nice little intersection for all of those things.
In this book, though, it's about the federal government allegedly actively waging a disinformation campaign with one man who was seeing more than he should have near a military base. The lengths and the depth of the disinformation campaign are impressive on their own, and the end result is something both fascinating and infuriating, given the source of the disinformation.
The book itself is a pretty quick, straightforward read, and that's probably where the flaw is. Little effort is made to make this an engaging read as much as a straightforward popcorn flick, and that's unfortunate because there are other books like it that make for a more compelling narrative with the description of the events. Still, there's a fair amount of meat here, and a fairly fascinating take on a piece of American lore that gets basically zero play.
Worth a read if you like UFOs and such, but far from a necessary one.
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My rating: 3 of 5 stars
Closer to a 3.5.
I forget what the conversation was that turned me onto this book, but considering the constant enjoyment I get from UFOs and first contact stuff as well a weird government conspiracies, this book is a nice little intersection for all of those things.
In this book, though, it's about the federal government allegedly actively waging a disinformation campaign with one man who was seeing more than he should have near a military base. The lengths and the depth of the disinformation campaign are impressive on their own, and the end result is something both fascinating and infuriating, given the source of the disinformation.
The book itself is a pretty quick, straightforward read, and that's probably where the flaw is. Little effort is made to make this an engaging read as much as a straightforward popcorn flick, and that's unfortunate because there are other books like it that make for a more compelling narrative with the description of the events. Still, there's a fair amount of meat here, and a fairly fascinating take on a piece of American lore that gets basically zero play.
Worth a read if you like UFOs and such, but far from a necessary one.
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12 July 2016
Review: The Last One
The Last One by Alexandra Oliva
My rating: 3 of 5 stars
The Last One is a weird book.
On the surface, we're talking about a story following the taping of a Survivor-style reality show. A lot of it seems sort of scripted and planned, but there's also some stuff happening that puts some doubt into the minds of the contestants as they work their way through the challenges and the show itself.
Especially since it's nearly Big Brother season as I read this, the way this handles reality TV does deserve some credit, as it places us right inside the production aspect as well as following people around as it happens. Unfortunately, this limitation makes for some difficult transitions as the story continues, and the level of unreality to get to accepting what's going on in the story as legitimate ultimately ended up being a bridge too far. Instead of an ambiguous scenario or a direct one, it takes its time getting to where it's heading and does so at the overall detriment of the narrative.
This was okay. Not great, but not bad, either. Fairly readable, but not one I would ultimately recommend. Closer to a 2.5.
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My rating: 3 of 5 stars
The Last One is a weird book.
On the surface, we're talking about a story following the taping of a Survivor-style reality show. A lot of it seems sort of scripted and planned, but there's also some stuff happening that puts some doubt into the minds of the contestants as they work their way through the challenges and the show itself.
Especially since it's nearly Big Brother season as I read this, the way this handles reality TV does deserve some credit, as it places us right inside the production aspect as well as following people around as it happens. Unfortunately, this limitation makes for some difficult transitions as the story continues, and the level of unreality to get to accepting what's going on in the story as legitimate ultimately ended up being a bridge too far. Instead of an ambiguous scenario or a direct one, it takes its time getting to where it's heading and does so at the overall detriment of the narrative.
This was okay. Not great, but not bad, either. Fairly readable, but not one I would ultimately recommend. Closer to a 2.5.
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10 July 2016
Review: Compass South
Compass South by Hope Larson
My rating: 3 of 5 stars
Hope Larson knows what she's doing, and the result is another solid, albeit flawed, graphic novel. This one a swashbuckling pirate adventure with two kids on different ships, I found it to be a fast page-turning adventure story that is worth reading for anyone who likes graphic novels for the younger set.
The downsides here are that the story itself feels fairly thin, especially in comparison to a lot of her other work, and that the art style here lends itself to a more of an anime feel than a traditional read, and that didn't really work for me on a whole with the tone and story.
I hesitate to call this a miss (and it's probably closer to a 3.5 overall for me), but this is just good, not great graphic novel from someone who we're used to getting closer on the side of great. Still works well for the age group and is worth paying attention to, though.
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My rating: 3 of 5 stars
Hope Larson knows what she's doing, and the result is another solid, albeit flawed, graphic novel. This one a swashbuckling pirate adventure with two kids on different ships, I found it to be a fast page-turning adventure story that is worth reading for anyone who likes graphic novels for the younger set.
The downsides here are that the story itself feels fairly thin, especially in comparison to a lot of her other work, and that the art style here lends itself to a more of an anime feel than a traditional read, and that didn't really work for me on a whole with the tone and story.
I hesitate to call this a miss (and it's probably closer to a 3.5 overall for me), but this is just good, not great graphic novel from someone who we're used to getting closer on the side of great. Still works well for the age group and is worth paying attention to, though.
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09 July 2016
Review: In the Dust of This Planet
In the Dust of This Planet by Eugene Thacker
My rating: 4 of 5 stars
So I learned of this book from an episode of Radiolab where the cover for this title was featured on a jacket worn by Jay-Z. Weirdly enough, the topic matter (philosophy and horror writing) was something I've been enjoying as of late, and with a nod from Thomas Ligotti, I got my hands on a copy of this.
It's a little dense, and maybe a little out there, but especially in the times we're in currently, it's interesting to read about horror writing in a more existential plane. Much like how we can trace Lovecraft's work to his existential wranglings, the idea posed here is that this horror renaissance of sorts (especially with the more nihilistic looks given by Ligotti and the like) is a reflection of a world we're struggling with ourselves.
As someone who reads horror and the weird more for the different concepts and ideas than the standard tropes that come along with fantasy and science fiction these days, I don't know if I relate 100% with the premise, but I appreciate the take on it nonetheless.
If you're into cultural criticism and horror/weird fiction, this is something you should seek out if you can find a copy. There are two other books in this series that I hope to pick up eventually, as Thacker does present some good ideas to think about here.
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My rating: 4 of 5 stars
So I learned of this book from an episode of Radiolab where the cover for this title was featured on a jacket worn by Jay-Z. Weirdly enough, the topic matter (philosophy and horror writing) was something I've been enjoying as of late, and with a nod from Thomas Ligotti, I got my hands on a copy of this.
It's a little dense, and maybe a little out there, but especially in the times we're in currently, it's interesting to read about horror writing in a more existential plane. Much like how we can trace Lovecraft's work to his existential wranglings, the idea posed here is that this horror renaissance of sorts (especially with the more nihilistic looks given by Ligotti and the like) is a reflection of a world we're struggling with ourselves.
As someone who reads horror and the weird more for the different concepts and ideas than the standard tropes that come along with fantasy and science fiction these days, I don't know if I relate 100% with the premise, but I appreciate the take on it nonetheless.
If you're into cultural criticism and horror/weird fiction, this is something you should seek out if you can find a copy. There are two other books in this series that I hope to pick up eventually, as Thacker does present some good ideas to think about here.
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Review: The Dark Forest
The Dark Forest by Liu Cixin
My rating: 5 of 5 stars
I liked The Three-Body Problem even though I wasn't totally connected with it. I love a first contact story, and there were some cultural touchstones I had missed that probably kept me from loving it, but I still wanted to dive into the sequel and see where it was going.
The Dark Forest may now be one of my favorite science fiction books of all time.
Taking place shortly after the first book, we immediately get an idea as to what's happening with the impending invasion (with one of the coldest final statements to humanity in the first few pages I've read), and then a long tale about how the world reacts. The way it's set up and progresses is a very unique response to a very unique situation set up in the first book (I'm trying not to give too much away, but imagine humanity fighting against omniscience), and the way it results is equally riveting and maddening.
I also have to say that I thought the translation in the first book was fine, but what we see with the translation this time feels a lot more natural and fits the themes and the story better. I found this to be a much more enjoyable read prose-wise than Three Body, for what it's worth. The Cultural Revolution parallels are also a little less central to the plot, meaning that the gateways to the story aren't as difficult. This ultimately ends up being a much more accessible read with a traditional trope turned on its head a bit.
I truly loved reading this. I can't wait for the English translation of the final book this fall because I have no idea what's coming next, and that's awesome. If it's even close to as good as this was, this might end up being an all-time series.
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My rating: 5 of 5 stars
I liked The Three-Body Problem even though I wasn't totally connected with it. I love a first contact story, and there were some cultural touchstones I had missed that probably kept me from loving it, but I still wanted to dive into the sequel and see where it was going.
The Dark Forest may now be one of my favorite science fiction books of all time.
Taking place shortly after the first book, we immediately get an idea as to what's happening with the impending invasion (with one of the coldest final statements to humanity in the first few pages I've read), and then a long tale about how the world reacts. The way it's set up and progresses is a very unique response to a very unique situation set up in the first book (I'm trying not to give too much away, but imagine humanity fighting against omniscience), and the way it results is equally riveting and maddening.
I also have to say that I thought the translation in the first book was fine, but what we see with the translation this time feels a lot more natural and fits the themes and the story better. I found this to be a much more enjoyable read prose-wise than Three Body, for what it's worth. The Cultural Revolution parallels are also a little less central to the plot, meaning that the gateways to the story aren't as difficult. This ultimately ends up being a much more accessible read with a traditional trope turned on its head a bit.
I truly loved reading this. I can't wait for the English translation of the final book this fall because I have no idea what's coming next, and that's awesome. If it's even close to as good as this was, this might end up being an all-time series.
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08 July 2016
Review: But What If We're Wrong?: Thinking About the Present As If It Were the Past
But What If We're Wrong?: Thinking About the Present As If It Were the Past by Chuck Klosterman
My rating: 5 of 5 stars
This book is like the best drunken bar conversation you've ever had.
You know exactly what I mean by that, because we've all had it. On our third (or eighth) beer, we start waxing philosophical about books or movies or what we ate for dinner, and it feels profound in the moment even though it's not at all. And those conversations are the best! Why? They get you thinking outside the box a little bit, and every so often you get that pearl of wisdom that you hang onto.
Chuck Klosterman has always been great at putting forth really solid, thought-provoking discussions and arguments about the culture around us. But What If We're Wrong, though, feels like a step further, where it becomes more a discussion about the place of culture and how we're responding to it, and it feels both ridiculous and deep, essential and arbitrary, and ultimately, a book I didn't feel like I wanted to put down at any point. And only Klosterman could really pull this off, as well, because there's just so much here that requires us to accept his authority as what it is.
I can't overstate how much I loved this. Maybe I'm putting too much meaning into it, but every time I finished a section or chapter, I felt like I got a better appreciation for the topic whether I agreed or not. And nonfiction should be like that. It should make us think a little more, especially when the topic is one of modern and present culture, and especially when the common consensus in so many circles is how disposable it is. I call this a must read for everyone, but we can say that about a lot of Klosterman's work. Ultimately, though, this is a really timely read that's worth the investment. Hopefully, you won't think I'm wrong...
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My rating: 5 of 5 stars
This book is like the best drunken bar conversation you've ever had.
You know exactly what I mean by that, because we've all had it. On our third (or eighth) beer, we start waxing philosophical about books or movies or what we ate for dinner, and it feels profound in the moment even though it's not at all. And those conversations are the best! Why? They get you thinking outside the box a little bit, and every so often you get that pearl of wisdom that you hang onto.
Chuck Klosterman has always been great at putting forth really solid, thought-provoking discussions and arguments about the culture around us. But What If We're Wrong, though, feels like a step further, where it becomes more a discussion about the place of culture and how we're responding to it, and it feels both ridiculous and deep, essential and arbitrary, and ultimately, a book I didn't feel like I wanted to put down at any point. And only Klosterman could really pull this off, as well, because there's just so much here that requires us to accept his authority as what it is.
I can't overstate how much I loved this. Maybe I'm putting too much meaning into it, but every time I finished a section or chapter, I felt like I got a better appreciation for the topic whether I agreed or not. And nonfiction should be like that. It should make us think a little more, especially when the topic is one of modern and present culture, and especially when the common consensus in so many circles is how disposable it is. I call this a must read for everyone, but we can say that about a lot of Klosterman's work. Ultimately, though, this is a really timely read that's worth the investment. Hopefully, you won't think I'm wrong...
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Review: nameless: a novel
nameless: a novel by Matthew Rossi
My rating: 4 of 5 stars
Ultimately closer to a 4.5.
Matthew Rossi, if you know his writing, is best known for his work on World of Warcraft information. For me, it was his weird essays on alternative histories and cultures (Bottled Demon being my favorite, but his three previous reads were all great). He had hinted on Twitter about the novel he was working on, and it got released and I finally got to read it.
And how do I sum it up? It's like a mainstream weird horror novel... and then Santa Claus shows up in a major battle.
I'm kind of glad I approached this from having read Bottled Demon and the like, because the conceits behind the good versus evil mindsets here are absolutely established in this sort of skewed look at genre the way Rossi has taken a skewed look at history and noteworthy events in his previous books. The pacing allows for the story to move along, and the number of true curveballs that Rossi throws from both main characters and major events alike means that the book is a page-turner in a different sense. It's not so much that you want to know what happens next (because you do), but because you end up wondering what craziness is happening next.
In that it doesn't really fit in well with the current weird and is perhaps a little too reliant on those curveballs is the one negative, but it's far from anything resembling a dealbreaker for how solid this book truly is. It has something for fans of horror, of the current weird fiction trend, of urban fantasy, and of slight absurdism. In the end, you really can't go wrong on this one.
There is apparently a sequel planned, and the best praise I can think of for this book comes from that fact. The ability of this book to surprise me over and over again is what will get me coming back to what's been established here as soon as possible. It's just a lot of fun in a genre that is often lacking it, and that's worth the time to take part.
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My rating: 4 of 5 stars
Ultimately closer to a 4.5.
Matthew Rossi, if you know his writing, is best known for his work on World of Warcraft information. For me, it was his weird essays on alternative histories and cultures (Bottled Demon being my favorite, but his three previous reads were all great). He had hinted on Twitter about the novel he was working on, and it got released and I finally got to read it.
And how do I sum it up? It's like a mainstream weird horror novel... and then Santa Claus shows up in a major battle.
I'm kind of glad I approached this from having read Bottled Demon and the like, because the conceits behind the good versus evil mindsets here are absolutely established in this sort of skewed look at genre the way Rossi has taken a skewed look at history and noteworthy events in his previous books. The pacing allows for the story to move along, and the number of true curveballs that Rossi throws from both main characters and major events alike means that the book is a page-turner in a different sense. It's not so much that you want to know what happens next (because you do), but because you end up wondering what craziness is happening next.
In that it doesn't really fit in well with the current weird and is perhaps a little too reliant on those curveballs is the one negative, but it's far from anything resembling a dealbreaker for how solid this book truly is. It has something for fans of horror, of the current weird fiction trend, of urban fantasy, and of slight absurdism. In the end, you really can't go wrong on this one.
There is apparently a sequel planned, and the best praise I can think of for this book comes from that fact. The ability of this book to surprise me over and over again is what will get me coming back to what's been established here as soon as possible. It's just a lot of fun in a genre that is often lacking it, and that's worth the time to take part.
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05 July 2016
Review: The Crown
The Crown by Kiera Cass
My rating: 2 of 5 stars
Truly closer to a 2.5.
I have been a major evangelist for this series since I found out about it, and while I think everyone was of the understanding that the trilogy didn't need any extra sequels, there was no reason to believe that they'd be anything more than superfluous baggage. With how poorly this final volume turned out, though...
The final two books are about the princess daughter of our heroine from the first trilogy. Running a Selection of her own, she's narrowed it down to the final few suitors, and we get to see some of the political machinations that Princess Eadlyn is facing down.
The problems with this book are so, so many. For one, the actual Selection process takes a back seat to a lot of weird political posturing. There's an outside party trying to spin public opinion toward his attempt at claiming an engagement with Eadlyn that is unrealistic on its own, and we essentially fast-forward the whole Selection simply because of a somewhat convenient plot point that almost appears to exist because of the lack of ideas to make it work. The ending is also telegraphed from a mile away, there's a lot of forced agenda throughout (especially in a series that balanced the princess fantasy with a strong female character who forged her own path in a believable fashion), and it just feels like a mess. Considering how unnecessary these last two books were, it's hard not to wonder whether there weren't a lot of ideas left at all.
I'm still a really big fan of the first trilogy. The last couple books don't take away from the main story at all, but this just wasn't a good idea to start, and it appears that the final book kind of proves that. Just not enough here to defend.
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My rating: 2 of 5 stars
Truly closer to a 2.5.
I have been a major evangelist for this series since I found out about it, and while I think everyone was of the understanding that the trilogy didn't need any extra sequels, there was no reason to believe that they'd be anything more than superfluous baggage. With how poorly this final volume turned out, though...
The final two books are about the princess daughter of our heroine from the first trilogy. Running a Selection of her own, she's narrowed it down to the final few suitors, and we get to see some of the political machinations that Princess Eadlyn is facing down.
The problems with this book are so, so many. For one, the actual Selection process takes a back seat to a lot of weird political posturing. There's an outside party trying to spin public opinion toward his attempt at claiming an engagement with Eadlyn that is unrealistic on its own, and we essentially fast-forward the whole Selection simply because of a somewhat convenient plot point that almost appears to exist because of the lack of ideas to make it work. The ending is also telegraphed from a mile away, there's a lot of forced agenda throughout (especially in a series that balanced the princess fantasy with a strong female character who forged her own path in a believable fashion), and it just feels like a mess. Considering how unnecessary these last two books were, it's hard not to wonder whether there weren't a lot of ideas left at all.
I'm still a really big fan of the first trilogy. The last couple books don't take away from the main story at all, but this just wasn't a good idea to start, and it appears that the final book kind of proves that. Just not enough here to defend.
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Review: Learning to Swear in America
Learning to Swear in America by Katie Kennedy
My rating: 5 of 5 stars
There are certain types of stories that will always hook me in, almost no matter what. Stories where an asteroid is hurtling toward earth for an extinction-level event is certainly one of them, and Learning to Swear in American is a YA title that handles the concept in a fun and different way. With shades of The Martian as well as a basic fish-out-of-water/teen struggle story following a Russian teenager who figures out what's going on with the asteroid and how to stop it, this ends up being a really enjoyable story on a whole with a fun lead character, a slightly-realistic-but-still-out-there premise, and a lot of interesting little tidbits on the side.
The science focus is a fun plus, as is the relationships and the Americanization of the teen in many ways. There are so many subtle things that happen in this book that I loved as an adult reader, and there's enough for everyone in the intended audience that this ends up being one of the better YA books out this year. Plus, look at that cover!
Highly recommended. Really a fun read from start to finish.
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My rating: 5 of 5 stars
There are certain types of stories that will always hook me in, almost no matter what. Stories where an asteroid is hurtling toward earth for an extinction-level event is certainly one of them, and Learning to Swear in American is a YA title that handles the concept in a fun and different way. With shades of The Martian as well as a basic fish-out-of-water/teen struggle story following a Russian teenager who figures out what's going on with the asteroid and how to stop it, this ends up being a really enjoyable story on a whole with a fun lead character, a slightly-realistic-but-still-out-there premise, and a lot of interesting little tidbits on the side.
The science focus is a fun plus, as is the relationships and the Americanization of the teen in many ways. There are so many subtle things that happen in this book that I loved as an adult reader, and there's enough for everyone in the intended audience that this ends up being one of the better YA books out this year. Plus, look at that cover!
Highly recommended. Really a fun read from start to finish.
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Review: Autumn's Wish
Autumn's Wish by Bella Thorne
My rating: 0 of 5 stars
The Autumn series has been fairly up-and-down over its three books. The first was sweet, second kind of rough, but this third and final installment might be the best of the bunch.
In this book, it's senior year and we're looking ahead to college. Autumn is given another gift from her father, a watch that allows her to jump into the future and see where the path takes her. As she jumps back and forth, watching as her actions change the futures she's seeing, she has to figure out what's going on and what kind of future she wants before it's too late.
I'm a sucker for time travel tales, so it's no surprise this one resonated with me, but, outside of some perhaps unnecessary ramping up of the activities of the kids, this ends up being a pretty solid cap to a decent YA series. There's not a ton to say as the series continues into a more traditional YA story, but I like the family orientation here, I love how much Autumn cares about her friends, and I like the semi-consistency of the time changes in the story. Pretty well done on a whole.
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My rating: 0 of 5 stars
The Autumn series has been fairly up-and-down over its three books. The first was sweet, second kind of rough, but this third and final installment might be the best of the bunch.
In this book, it's senior year and we're looking ahead to college. Autumn is given another gift from her father, a watch that allows her to jump into the future and see where the path takes her. As she jumps back and forth, watching as her actions change the futures she's seeing, she has to figure out what's going on and what kind of future she wants before it's too late.
I'm a sucker for time travel tales, so it's no surprise this one resonated with me, but, outside of some perhaps unnecessary ramping up of the activities of the kids, this ends up being a pretty solid cap to a decent YA series. There's not a ton to say as the series continues into a more traditional YA story, but I like the family orientation here, I love how much Autumn cares about her friends, and I like the semi-consistency of the time changes in the story. Pretty well done on a whole.
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